很多同学在备考雅思时，不知道究竟该准备哪些备考资料。在此，推荐各位烤鸭宝宝可以从剑桥雅思真题入手。下面小编为大家带来剑桥雅思6Test3阅读Passage1真题文本，希望能为大家提供帮助。
　　Passage1
　　A The Lumiere Brothers opened their Cinematographe, at 14 Boulevard des Capucines in Paris, to 100 paying customers over 100 years ago, on December 8, 1895.Before the eyes of the stunned, thrilLED audience, photographs came to life and moved across a flat screen.
　　B So ordinary and routine has this become to us that it takes adetermined leap of the imagination to grasp the imPACt of those first moving images. But it is worth trying, for to understand the initial shock of those images is to understand the extraordinary power and magic of cinema, the unique, hypnotic quality that has made film the most dynamic, effective art form of the 20th century.
　　C One of the Lumiere Brothers' earliest films was a 30second piece which showed a section of a railway platform flooded with sunshine. A train appears and heads straight for the camera. And that is all that happens. Yet the Russian director Andrei Tarkovsky, one of the greatest of all film artists, described the film as a 'work of genius'. 'As the train approached,' wrote Tarkovsky,'panic started in the theatre: people jumped and ran away. That was the moment when cinema was born. The frightened audience could not accept that they were watching a mere picture. Pictures were still, only reality moved; this must, therefore, be reality. In their confusion, they feared that a real train was about to crush them.'
　　D Early cinema audiences often experienced the same confusion. In time, the idea of film became familiar, the magic was accepted but it never stopped being magic. Film has never lost its unique power tOEMbrace its audiences and transport them to a different world. For Tarkovsky, the key to that magic was the way in which cinema created a dynamic image of the real flow of events. A still picture could only imply the existence of time, while time in a novel passed at the whim of the reader. But in cinema, the real, objective flow of time was captured.
　　E One effect of this realism was to educate the world about itself.For cinema makes the world smaller. Long before people traveled to America or anywhere else, they knew what other places looked like; they knew how other people worked and lived. Overwhelmingly, the lives recorded at least in film fiction have been American. From the earliest days of the industry, Hollywood has dominated the world film market. American imagery the cars, the cities, the cowboys became the primary imagery of film. Film carried American life and values around the globe.
　　F And, thanks to film, future generations will know the 20th century more intimately than any other period. We can only imagine what life was like in the 14th century or in classical Greece. But the life of the modern world has been recorded on film in massive, encyclopaedicdetail. We shall be known better than any preceding generations.
　　G The 'star' was another natural consequence of cinema. The cinema star was effectively born in 1910. Film personalities have such an immediate presence that, inevitably, they become superreal. Because we watch them so closely and because everybody in the world seems to know who they are, they appear more real to us than we do ourselves. The star as magnified human self is one of cinema’s most strange and enduring legacies.
　　H Cinema has also given a new lease of life to the idea of the story.When the Lumiere Brothers and other pioneers began showing off this new invention, it was by no means obvious how it would be used.All that mattered at first was the wonder of movement. Indeed, some said that, once this novelty had worn off, cinema would fade away. It was no more than a passing gimmick, a fairground attraction.
　　I Cinema might, for example, have become primarily adocumentary form. Or it might have developed like television as a strange, noisy transfer of music, information and narrative. But what happened was that it became, overwhelmingly, a medium for telling stories. Originally these were conceived as short stories early producers doubted the ability of audiences to concentrate for more than the length of a reel. Then, in 1912, an Italian 2hour film was hugely successful, and Hollywood settled upon the novellengthnarrative that remains the dominant cinematic convention of today.
　　J And it has all happened so quickly. Almost unbelievably, it is a mere 100 years since that train arrived and the audience screamed and fled, convinced by the dangerous reality of what they saw, and, perhaps, suddenly aware that the world could never be the same again that, maybe, it could be better, brighter, more astonishing, more real than reality.